How can you be sure what music goes where and why without being embarrassingly wrong?
- How can you be sure what music goes where and why without being embarrassingly wrong?
YOU WILL LEARN ABOUT:
Where it is correct to place music and where it's incorrect, Narrative Psychology, Context and Subtext, Pitfalls, Rough Sound, Long vs Short Cues, Cue Combinatory Effects, Rubix Cube, Techniques for Ins and Outs, Perceptibility, The Problem With Cadences
StartTechniques - Where Should Music Go? (1:47)
StartQUIZ: Techniques - Where Should Music Go?
StartTechniques - Cue Effects (1:18)
StartQUIZ: Techniques - Cue Effects
StartTechniques - Music Considerations (4:13)
StartQUIZ: Techniques - Music Considerations
Film Composer of over 80 Feature Films, theorist on the Art & Craft of Film Music, founder of The Composer Collective a media scoring firm of over 3000 global composers, creator of CuePop™ the world's first fully automated online Music Library, and son of the legendary Jazz Pianist Bill Evans.
Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.
He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.
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