Score Budgeting
What are some of the best, and also some of the worst, ways you could allocate your Score Budget?
IN THIS CLASS YOU WILL LEARN ABOUT:
Rule of Three, Overdubbing, Soloists, Full Orchestra, Small Orchestra, Foreign Orchestras, Union Contracts, Sweetening, Pitfalls, What’s Left?
Course Curriculum
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StartFirst Budgets (1:08)
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StartQUIZ: First Budgets
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StartNumber of players (1:59)
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StartQuiz: Number of Players
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StartOverdubbing (3:20)
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StartQUIZ: Overdubbing
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StartSoloists (0:44)
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StartQUIZ: Soloists
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StartOrchestra considerations (0:44)
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StartQUIZ: Orchestra Considerations
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StartLarge Orchestra (1:02)
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StartQUIZ: Large Orchestra
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StartSmall Orchestra (1:05)
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StartQUIZ: Small Orchestra
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StartDISCUSSION: Live
Instructor
Film Composer of over 80 Feature Films, theorist on the Art & Craft of Film Music, founder of The Composer Collective a media scoring firm of over 3000 global composers, creator of CuePop™ the world's first fully automated online Music Library, and son of the legendary Jazz Pianist Bill Evans.
Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.
He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.