Production Music Libraries
How can you set yourself up to earn extra money, even while you sleep?
Composing for production music libraries is one of the most liberating ways to make money in music!
You get to make your own hours, create music without any deadline stress, and boot up a new additional revenue stream.
It is ideally suited for those who wish to seek out an income solution which allows for a daily routine and predictable hours and low stress.
In this master class you will learn the best methods to creating tracks that are purposed for submissions to music libraries.
Find out what not to do, and how to set yourself up to earn an extra income from this important additional revenue stream.
StartWhat Kind of Money? (2:33)
StartQUIZ: What Kind of Money?
StartCatalog Cont. (1:40)
StartTracks from Tracks (1:31)
StartQUIZ: Tracks from Tracks
Film Composer of over 80 Feature Films, theorist on the Art & Craft of Film Music, founder of The Composer Collective a media scoring firm of over 3000 global composers, creator of CuePop™ the world's first fully automated online Music Library, and son of the legendary Jazz Pianist Bill Evans.
Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.
He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.
Frequently Asked Questions
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