Show and Tell
How can you use client review sessions to your maximum advantage and also make sure you don't get fired?
How can you use client review sessions to your maximum advantage and also make sure you don't get fired?
Learn about:
Show and Tell, Studio Presentation, Don’t get fired, Planning for revisions, Creating an experience for the client, Scheduling Review Sessions, Meetings vs Remote, Clear Communication, Taking Feedback, Tips and Tricks, Gear, The “Threeplay” technique, Underplay vs Hyping, Take Home Materials
Course Curriculum
CLASS LECTURE
Available in
days
days
after you enroll
SHOW AND TELL
Available in
days
days
after you enroll
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StartCue Presentation Importance 1 (1:42)
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StartQUIZ: Cue Presentation Importance 1
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StartCue Presentation Importance 2 (2:24)
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StartQUIZ: Cue Presentation Importance 2
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StartScheduling (2:05)
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StartQUIZ: Scheduling
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StartPresentation Niceties (2:10)
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StartQUIZ: Presentation Niceties
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StartPresentation Bonuses (3:39)
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StartQUIZ: Presentation Bonuses
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StartThree Play (2:37)
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StartQUIZ: Three Play
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StartDISCUSSION: Show And Tell
AFTERWARDS
Available in
days
days
after you enroll
Instructor
Film Composer of over 80 Feature Films, theorist on the Art & Craft of Film Music, founder of The Composer Collective a media scoring firm of over 3000 global composers, creator of CuePop™ the world's first fully automated online Music Library, and son of the legendary Jazz Pianist Bill Evans.
Evans studied with Jerry Goldsmith, Joey Rand (Music Editor, "Titanic"), Steven Scott Smalley (Orchestrator, "Batman","Conan The Barbarian"), Marco Beltrami, Don Ray, Clare Fischer, Elmer Bernstein, and Lalo Schifrin.
He has worked for and trained under iconic Film Composers Danny Elfman, Jeff Rona, David Newman, Jerry Goldsmith, Lalo Schifrin, and Basil Poledouris.